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Roar’s design for the Ajman Ruler’s Court sensitively blends quiet luxury with traditional Emirati elements, creating an environment that reflects both the region’s heritage and its contemporary culture. The design draws inspiration from a range of artistic installations that celebrate the UAE’s rich cultural legacy while embracing innovative design techniques.

A key element of the layout, the central staircase takes cues from the desert’s ever-shifting sand dunes in a nod to the dynamic nature of organisational structures. Complementing this theme are custom palm tree sculptures by Emirati designer Khalid Shafar. Crafted from local materials, these towering palms, up to four metres in height, invite visitors to engage in spontaneous social interactions, mirroring the community-centric spirit of the Emirati people. Initially conceived with a scattered distribution, the palm trees were rearranged into clusters to reflect their natural growth patterns, creating a more authentic and harmonious visual effect.

Upon entering, visitors are greeted by a reception area that echoes the staircase’s design language. The reception desk, with its clean lines and dynamic shapes, is highlighted by a suspended light from Huda Lighting, casting a warm and inviting glow. An artwork by local artist Akil fuses Arabic calligraphy with sculptural components, while a curved bench upholstered in earthy tones provides a welcoming seating area. This cohesive approach ensures a harmonious transition from the reception to the rest of the Court.

One of the most striking installations is in the Boardroom, featuring an art piece inspired by the ancient Al Barwa letters. Designed as a half-and-quarter-opened letter, this stainless steel installation pays homage to the historical correspondence exchanged between rulers and dignitaries in the UAE, akin to modern-day passports in their significance for diplomatic relations. The laser-cut calligraphy showcases inspiring quotes from H.H. Sheikh Humaid Bin Rashid Al Nuaimi and H.H. Sheikh Ammar Bin Humaid Al Nuaimi, capturing the essence of ‘Al Barwa’ while bridging the past and present through art.

The Chairman’s Majlis (meeting room) is furnished with a series of long, low-profile sofas in neutral tones, accented by a striking round chandelier reminiscent of palm tree dates that connects the space to the overall design theme. Warm-hued wood panels, marble accents—including the Minotti marble-topped coffee tables—and plush carpeting convey an elegant comfort, while large windows invite abundant natural daylight, creating a productive environment.

In the reception area, His Highness’ elevator is framed by brass panels and wood details, drawing inspiration from traditional Areesh houses (structures built entirely using materials from palm trees), with the travertine flooring adding a contemporary twist. Sculptures by artist Azza Al Qubaisi, known for her use of natural materials and metal, further infuse the decor with cultural significance. Her work, inspired by the UAE’s natural landscapes and ancient techniques, reflects the textures and patterns of the desert and mangroves, echoing a commitment to sustainability and local heritage.

His Highness’s office combines the high-quality materials used throughout the scheme. A veneer wall features a discreet door that leads to a private bathroom. Specially created for the space using a fabric drawing technique, a piece by Ultraarte hangs above the Majlis-style seating arrangement, enhancing the room’s sophisticated yet relaxed ambience.

These thoughtful design elements, from artistic installations to bespoke furniture, perfectly integrate the UAE’s cultural heritage with contemporary aesthetics, creating a truly meaningful environment within the Ajman Ruler’s Court.

Design: Roar
Photography: Yasser Ibrahim